Organ

Jeffrey Smith, adjunct professor of organ at the IU Jacobs School of Music, is one of the first two Americans to receive the highest award bestowed by England's Fellowship of the Guild of Church Musicians.
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Indiana University alumnus Dennis James returns to Bloomington for his annual Halloween organ performance, this year accompanying the 1925 silent film The Phantom of the Opera Oct. 27 at 7:30 p.m.
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The Bloomington Chapter of the American Guild of Organists at Indiana University will present a free organ recital Friday, Oct. 7, at 12:15 p.m. on the IU Auditorium Schantz Organ.
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A three-year cycle of 21 free, open-to-the-public Bach organ performances that take place at various locations on the Indiana University campus and churches in the Bloomington community will commence its second year Tuesday, Aug. 30, at Auer Hall at 8 p.m. "The Seasons of Sebastian: The solo works of Johann Sebastian Bach" is the brainchild of Janette Fishell, chair of the Organ Department at the IU Jacobs School of Music, who performs all of the concerts.
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On Wednesday, May 4, the IU Jacobs School of Music hosted the first Schoenstein Competition in Organ Accompaniment, an event designed to promote the knowledge, appreciation and performance of the organ's role in vocal accompaniment. The competition was open to any current organ major at the Jacobs School. The first-place winner, awarded $1,000, is freshman Samuel Gaskin, who studies with Professor Christopher Young. The second-place award of $500 went to graduate student Matthew Middleton, who studies with Professor Janette Fishell.
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Following a national search, the Indiana University Jacobs School of Music announces that organist Bruce Neswick will join its faculty as associate professor of music (organ) in the fall of 2011, pending approval by the Trustees of Indiana University. "The Jacobs School of Music Organ Department is delighted to welcome Bruce Neswick to our faculty," said department chair Janette Fishell. "He is an undisputed master practitioner of sacred music, and his expertise in the areas of improvisation, choral training, accompanying and composition is rounded off by a full command of the concert literature."
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