A place for live musical scores
Patrons of the new Indiana University Cinema will be able to experience films as they were seen — and heard — in the Roaring Twenties.
In collaboration with the renowned Indiana University Jacobs School of Music, IU Cinema will present a series of classic film screenings accompanied by live orchestral music, kicking off with a world premiere: the theatrical re-release of Metropolis (1927), a groundbreaking, dystopian science-fiction epic directed by Fritz Lang.
While Metropolis has been screened in recent years with a full, 60-piece orchestra, the Feb. 19, 2011, screening at IU Cinema will feature the film's first newly arranged orchestral score for a salon orchestra.
Metropolis tells the vivid story of a futuristic city segregated into "thinkers" and "workers" and the boundary-breaking relationship that leads to a worker uprising. Just as the film premiered to a full symphony in Berlin in 1927, the Metropolis screening at IU Cinema will be complemented by live music for 14 instruments as well as supertitles. "The potential of doing world premieres here is a real honor," said Jacobs School Dean Gwyn Richards. "This will be a wonderful opportunity for our students."
"Finding time for students to do something this extensive can be a challenge," said IU Cinema Director Jon Vickers. "In the future, we hope to build it into the curriculum. Metropolis is a two-hour film, so it's as ambitious as an opera."
The IU Cinema screening will re-create the director's original vision for Metropolis, reinserting the 25 minutes of "lost footage" that was cut by Paramount for the U.S. release in 1927. (In what was called the "film find of the century," the lost footage was re-discovered in 2008, in a small museum in Buenos Aires.)
Vickers, who formerly owned an independent, art house cinema (Vickers Theatre in Three Oaks, Mich.) with his wife, Jennifer, said audiences frequently comment on the powerful, immersive experience of viewing silent films set to live music.
"Personally, I love silent films with live music, whether the music is traditional or new. A non-traditional score -- avant-garde or rock music -- often can make the films more accessible to new audiences," Vickers said.
IU Cinema plans to commission new scores for silent films and future premieres.
"It will not be uncommon for us to have a student or faculty member write a new score for a silent film within our collection for future presentations," Vickers said. "With this comes a secondary benefit of such commissions in the form of press and credit given when the film and score travel to other cinematheques."
Jacobs professors are currently poring over the Metropolis score to determine how best to synch the music with the film. Richards said the use of old-fashioned click tracks that provide musicians with audio cues may be applied. The person leading the 14-person ensemble likely will need to have the rhythmic cues and score memorized, Richards said.
"We're working on a rehearsal schedule and personnel to be able to do this," Richards said. "There are projects and performances that Jon, uniquely, could make possible for us to do — and I'm anxious to realize some of those things."
Richards sees music and film as art forms that naturally flow into one another. Some of the most beautiful music written has been composed for film scores, he said. "A composer in Los Angeles once told me you can show an image of an urban setting and express the loneliness of the scene with a solo clarinet," Richards said. "You can show the same scene as a bustling beehive of activity by using a whole orchestra. The music shows a point of view; what your eyes see is changed by what your ears hear."
A place for film
The majestic building that once housed the University Theatre will reopen in January 2011 as the new Indiana University Cinema, a world-class space for the scholarly study of film and the highest standards of exhibition of film in its traditional and modern forms.
The recently updated space seamlessly blends the building's classic 1930s architecture with modern lines, featuring several panels of the historic Indiana Murals painted by Thomas Hart Benton for the 1933 Chicago World's Fair. One of just 10 THX-certified university cinemas across the country, IU Cinema offers the highest quality motion picture experience available, with the best in 16mm and 35mm film projectors, as well as 2K and 4K digital cinema equipment, all of which were expertly installed by Sony.
IU Cinema will host film premieres and rare archival screenings, film festivals, conferences, filmmaker retrospectives and silent films accompanied by live music. Space will also be available for lectures, visiting film scholars and screening of materials from the IU Archives, including the Black Film Center Archive, the David Bradley Collection and the Peter Bogdanovich Collection.
The IU Cinema will strive to become one of the best public screening rooms in the country -- eventually, with a film program to match -- offering patrons an unforgettable, unparalleled service experience. Along with outstanding programming and exhibitions, the IU Cinema will develop touring film programs, commission new silent film scores, initiate restorations and partner with established cinemas across the U.S. to build exceptional intercollegiate programs.
For more information, see http://www.indiana.edu/~iucinema/.